Find an Interesting Subject
I have a friend who regularly goes out on the streets around Melbourne looking for interesting people to photograph.
When he finds someone that he finds interesting he approaches them, asks if they’d pose for him, he quickly finds a suitable background and then shoots off a handful of shots quickly (if they give him permission of course).
The result is that he has the most wonderful collection of photographs of people of all ages, ethnicities and backgrounds.
While many of us spend most of our time photographing our loved ones – perhaps it’d be an interesting exercise to shoot interesting strangers once in a while?
Take Unfocused Shots
As photographers we have ‘sharp focus’ drummed into us as an ultimate objective to achieve in our work – but sometimes lack of focus can create shots with real emotion, mood and interest.
There are two main strategies for taking unfocused images that work:
1. Focus upon one element of the image and leave your main subject blurred. To do this use a large aperture which will create a narrow depth of field and focus upon something in front of or behind your subject.
2. Leave the full image out of focus. To do this again choose a wide aperture but focus well in front or behind anything that is in your image (you’ll need to switch to manual focussing to achieve this).
These kinds of shots can be incredibly dreamy and mysterious.
Candids: Being Unobtrusive
You may want to make photographs of people going about their business—vendors in a market, a crowd at a sports event, the line at a theater. You don't want them to appear aware of the camera. Many times people will see you, then ignore you because they have to concentrate on what they are doing. You want the viewers of the image to feel that they are getting an unguarded, fly-on-the-wall glimpse into the scene.
There are several ways to be unobtrusive. The first thing, of course, is to determine what you want to photograph. Perhaps you see a stall in a market that is particularly colorful, a park bench in a beautiful setting—whatever has attracted you. Find a place to sit or stand that gives you a good view of the scene, take up residence there, and wait for the elements to come together in a way that will make your image.
If you're using a long lens and are some distance from your subject, it will probably be a while before the people in the scene notice you. You should be able to compose your image and get your shot before this happens. When they do notice you, smile and wave. There's a difference between being unobtrusive and unfriendly. Another way to be unobtrusive is to be there long enough so that people stop paying attention to you. If you are sitting at a café order some coffee and wait. As other patrons become engrossed in conversations or the paper, calmly lift the camera to your eye and make your exposure. In most cases, people either won't notice or won't mind. But be judicious. Don't keep firing away and become a nuisance. They will mind. You can also set the camera on the table with a wide-angle lens pointed at your subject and simply press the remote release when the time is right. Modern auto focus and auto exposure cameras make this easy to do as well.
